Composer

Works

Projects

• (1993), ” Four Summaries on Early Hours ” for Oboe and String Quartet
• (1994), ” Two images ” for Violin, Cello and Piano
• (1995), ” Piano Work ”  for Solo Piano
• (1996), ” Notes for a Pianist ”  for String Orchestra and Piano
• (1997), ” Sextet ”  for Flute, Alto Flute, two Cellos, Piano, Percussion
• (1998), ” Two pictures of the Previous Century: ’65 and 1985 ” for Plucked Strings Orchestra
• (1999), ” Five folk couplets ” for Choir
• (1999), ” Spring ” for Oboe, Clarinet, Violin, Cello and Piano
• (2000), ” Elasma ”  for Violin, Viola, Flute and Oboe

• (2004-2010) Timers projects
A series of experimental projects, created for a doctoral and post-doctoral research completion purposes, involving the integration of traditional techniques of music writing (acoustical music composition) and timbral manipulation, as well as the use of compositional models created based on computer assisted compositional techniques (CAC – Computer Aided Composition/IRCAM). The works illustrate the ways in which the composer interacts with computer assisted environments, in real and non-real time, both during the construction as well as performance of the musical text.

⋅ (Projects included in the doctoral research)
•  (2004-2005), ” Timers I & II ” for two Cellos and Sonic Processing
•  (2005), ” Timers III’ “- “Notes for an Orchestra’’  for full Orchestra

⋅  (Projects included in the post- doctoral research)
•  (2009), ” Timers IV ” for Solo Piano, midi-Piano and Spectral/Timbral Computer Processing Techniques
•  (2009), ” Timers V ” for Solo Guitar (Zn, Lz OpenMusic Libraries/IRCAM)
•  (2009), ” Timers VII ”  for Cello and Sonic/Timbral Computer Processing Techniques
•  (2009), ” Timers VIII ” for midi Piano and Cello – application of CAC (OMax programme/IRCAM) on interactive   improvisation between the composer and performer
•  (2010), ” Timers X ”  for two Cellos, composed in three parts – timbral variations in real and non-real time through the application of CAC (mainly Najo Max Interface 1.5/IRCAM and MaxMSP software)
•  (2010), ” Timers XI ”  Digital environment (AudioSculpt, Om-as, Chroma WK-3.0, Modalys/IRCAM Libraries) and natural/acoustic Ten-string Guitar sound

(2010), ” Times of others and mine ” , three pieces for Solo Guitar

 ’65: The Time Dancer
‘1985’
Sikinos

•  (2015), ” Interior Gardens ” composed in seven parts

 four parts for Solo Guitar

 Chronos VI
Chronos VII
Chronos VIII
Chronos IX

and three Electronically produced ‘orchestral’ parts

 Bridge 1
Bridge 2
Bridge 3

•  (2017), ” Monologues I & II ”  for Solo Guitar
•  (2018), ” Monologues ΙΙΙ & ΙV ”  for Solo Guitar

•  (2018-19), ” Timelines  “
I – for Solo Flute
II – for Solo Clarinet
III –for Alto Flute and Clarinet
IV – for Flute and Clarinet

•  (2021-22), “Sonic procedures/Music Programming”

I – “Lament for Antoniou for Flute and Electronics”

II – “Cosmos 1&2 ” for Guitar and Sonic procedures/Music Programming

⋅  Discography
•  (2017), ” Time Exercises “